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  Scorsese’s Factory “Scorsese in Essence”. Philosophy teacher and member of the “Antonio Rico” group Juan Jesús Alonso moderates the panel discussion dedicated to Scorsese’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese in Essence”. Philosophy teacher and member of the “Antonio Rico” group Juan Jesús Alonso moderates the panel discussion dedicated to Scorsese’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese in Essence”. Philosophy teacher and member of the “Antonio Rico” group Juan Jesús Alonso moderates the panel discussion dedicated to Scorsese’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese in Essence”. Philosophy teacher and member of the “Antonio Rico” group Juan Jesús Alonso moderates the panel discussion dedicated to Scorsese’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

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  Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

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  Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

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  Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

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  Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

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  Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

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  Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

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  Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

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  Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

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  Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

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  Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

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  Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

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  Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

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  “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

• 

  “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

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  Scorsese’s Factory Concert “A Stroll through Mean Streets” in the La Salvaje hall. ©FPA | Iván Martínez

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  Scorsese’s Factory Concert “A Stroll through Mean Streets” in the La Salvaje hall. ©FPA | Iván Martínez

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  Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

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  Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

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  Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

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  Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

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  Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

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  Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

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  Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

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  Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

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  Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

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  Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

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  Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

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  Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

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  Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

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  Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

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  Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

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  Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

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  Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

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  Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

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  Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

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  Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

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  Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

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  Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

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  “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

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  “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

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  “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

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  “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

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  “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

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  “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

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  Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). ©FPA | Iván Martínez

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  Scorsese’s Factory Acts in tribute to the American filmmaker Martin Scorsese, Princess of Asturias Award for the Arts 2018.

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  Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). ©FPA | Iván Martínez

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  Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). ©FPA | Iván Martínez

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  Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). ©FPA | Iván Martínez

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  Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). Siero Chamber Orchestra offers a live rendition of musical pieces from key moments in the film. ©FPA | Iván Martínez

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  Scorsese’s Factory Acts in tribute to the American filmmaker Martin Scorsese, Princess of Asturias Award for the Arts 2018.

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  Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). Siero Chamber Orchestra offers a live rendition of musical pieces from key moments in the film. ©FPA | Iván Martínez

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  Scorsese’s Factory Inauguration of the artistic montage “The Ring”. ©FPA | Iván Martínez

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  Scorsese’s Factory Inauguration of the artistic montage “The Ring”. ©FPA | Iván Martínez

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  Scorsese’s Factory “Scorsese’s Factory” première in the former La Vega Arms Factory, in Oviedo, with the inauguration of the artistic montage “The Ring” and the “Special screening of Raging Bull". ©FPA | Iván Martínez

© FPA