Jump Main Menu. Go directly to the main content (Acces key S)

Multimedia Channel of Princess of Asturias Foundation

Sección de idiomas

Languages

Fin de la sección de idiomas

Search

Sección de utilidades

Contact

Fin de la sección de utilidades

You are in:

  1. Photo galleries

Photo galleries

Start of main content

Photo galleries

"Scorsese's Factory"

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese in Essence”. Philosophy teacher and member of the “Antonio Rico” group Juan Jesús Alonso moderates the panel discussion dedicated to Scorsese’s films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese in Essence”. Philosophy teacher and member of the “Antonio Rico” group Juan Jesús Alonso moderates the panel discussion dedicated to Scorsese’s films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese in Essence”. Philosophy teacher and member of the “Antonio Rico” group Juan Jesús Alonso moderates the panel discussion dedicated to Scorsese’s films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese in Essence”. Philosophy teacher and member of the “Antonio Rico” group Juan Jesús Alonso moderates the panel discussion dedicated to Scorsese’s films. ©FPA | Iván Martínez

  •  Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director Pablo Fernández shows students on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Silence Concert. A selection of religious music”. The Princess of Asturias Foundation Choir and the Baroque music group Forma Antiqva perform several pieces of sacred music given the religious theme of the film Silence. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Talk “Fashion and Film. A visible thread”. Fashion designer Lorenzo Caprile, who created the wedding dress that actress Margot Robbie wears in The Wolf of Wall Street, and Project Manager at Peris Costumes María Ortega Cornejo and costume designer Sandy Powell share their reflections on fashion within the context of Scorsese’s films. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “Crooners Duel”. Several singers evoke some of the finest voices of American music, identified with the figure of the crooner, an iconic image of some of the historical and social settings reflected by Scorsese. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” Panel discussion “Scorsese´s Radio”. Musicians and critics came together to analyse the use of rock music in Martin Scorsese’s movies. The panel featured music critic Jorge Alonso, who acted as moderator, musician Mikel Erentxun, music critic in charge of the music area of El País newspaper Fernando Navarro and journalist and musician Alicia Álvarez. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “A Stroll through Mean Streets” in the La Salvaje hall. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Concert “A Stroll through Mean Streets” in the La Salvaje hall. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The duo from Gijon, Elle Belga, accompanied by members of the Princess of Asturias Foundation Youth Choir, performing musical pieces written for and inspired by Martin Scorsese films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese’s Generation”. Moderated by historian and documentalist Luis E. Parés, this meeting analyse Martin Scorsese’s career. It features the participation of film director Rodrigo Cortés, film critic Jordi Costa and film journalist Pepa Blanes. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Activities in the Scorsese’s Factory. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory The Scorsese Big Band, conducted by Jesús Ángel Arévalo, offers a repertory of musical pieces included in soundtracks of the New York director’s films. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

  • Scorsese’s Factory

    Scorsese’s Factory “The Scorsese Formula”. Director of photography Carlos Suárez explains on a professional film set some of the narrative techniques applied by Scorsese in his movies. ©FPA | Yeray Menéndez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

  • “Scorsese’s Factory”

    “Scorsese’s Factory” “Chaplin with piano accompaniment”. ©FPA | Yeray Menéndez

  • Scorsese’s Factory

    Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Acts in tribute to the American filmmaker Martin Scorsese, Princess of Asturias Award for the Arts 2018.

  • Scorsese’s Factory

    Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). Siero Chamber Orchestra offers a live rendition of musical pieces from key moments in the film. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Acts in tribute to the American filmmaker Martin Scorsese, Princess of Asturias Award for the Arts 2018.

  • Scorsese’s Factory

    Scorsese’s Factory “Special screening of Raging Bull” (Martin Scorsese, 1980). Siero Chamber Orchestra offers a live rendition of musical pieces from key moments in the film. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Inauguration of the artistic montage “The Ring”. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory Inauguration of the artistic montage “The Ring”. ©FPA | Iván Martínez

  • Scorsese’s Factory

    Scorsese’s Factory “Scorsese’s Factory” première in the former La Vega Arms Factory, in Oviedo, with the inauguration of the artistic montage “The Ring” and the “Special screening of Raging Bull". ©FPA | Iván Martínez

© FPA

Highlights

Laureates

Cervantes Quotes

End of main content

Sección de utilidades

Fin de la sección de utilidades