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  “The Role of the Architect”: Shigeru Ban meets with the public. Shigeru Ban converses with Martha Thorne, Dean of the IE School of Architecture and Design, and they review the architect’s main interventions to provide emergency shelters and temporary housing in extreme and devastating situations mainly caused by natural disasters. ©FPA | Julián Rus

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  “The Role of the Architect”: Shigeru Ban meets with the public. Shigeru Ban converses with Martha Thorne, Dean of the IE School of Architecture and Design, and they review the architect’s main interventions to provide emergency shelters and temporary housing in extreme and devastating situations mainly caused by natural disasters. ©FPA | Julián Rus

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  “The Role of the Architect”: Shigeru Ban meets with the public. Shigeru Ban converses with Martha Thorne, Dean of the IE School of Architecture and Design, and they review the architect’s main interventions to provide emergency shelters and temporary housing in extreme and devastating situations mainly caused by natural disasters. ©FPA | Julián Rus

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  “The Role of the Architect”: Shigeru Ban meets with the public. Shigeru Ban converses with Martha Thorne, Dean of the IE School of Architecture and Design, and they review the architect’s main interventions to provide emergency shelters and temporary housing in extreme and devastating situations mainly caused by natural disasters. ©FPA | Julián Rus

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  “The Role of the Architect”: Shigeru Ban meets with the public. Shigeru Ban converses with Martha Thorne, Dean of the IE School of Architecture and Design, and they review the architect’s main interventions to provide emergency shelters and temporary housing in extreme and devastating situations mainly caused by natural disasters. ©FPA | Julián Rus

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  Film/concert: “Metropolis (featuring Artificial Intelligence)” Pianist and composer César Latorre and pianist Verónica R. Galán have used artificial intelligence as a support tool for the composition of the music that accompanies the film and also use it to perform it live. ©FPA | Daniel Mora

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  Film/concert: “Metropolis (featuring Artificial Intelligence)” Pianist and composer César Latorre and pianist Verónica R. Galán have used artificial intelligence as a support tool for the composition of the music that accompanies the film and also use it to perform it live. ©FPA | Daniel Mora

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  Film/concert: “Metropolis (featuring Artificial Intelligence)” Pianist and composer César Latorre and pianist Verónica R. Galán have used artificial intelligence as a support tool for the composition of the music that accompanies the film and also use it to perform it live. ©FPA | Daniel Mora

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  Film/concert: “Metropolis (featuring Artificial Intelligence)” Pianist and composer César Latorre and pianist Verónica R. Galán have used artificial intelligence as a support tool for the composition of the music that accompanies the film and also use it to perform it live. ©FPA | Daniel Mora

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  Film/concert: “Metropolis (featuring Artificial Intelligence)” Pianist and composer César Latorre and pianist Verónica R. Galán have used artificial intelligence as a support tool for the composition of the music that accompanies the film and also use it to perform it live. ©FPA | Daniel Mora

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  Ellen MacArthur visits the Circular Economy FabLab The Laureate visits a space devoted to innovation focussing on progress towards a circular economy. ©FPA | Iván Martínez

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  Ellen MacArthur visits the Circular Economy FabLab The Laureate visits a space devoted to innovation focussing on progress towards a circular economy. ©FPA | Iván Martínez

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  Ellen MacArthur visits the Circular Economy FabLab The Laureate visits a space devoted to innovation focussing on progress towards a circular economy. ©FPA | Iván Martínez

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  Ellen MacArthur visits the Circular Economy FabLab The Laureate visits a space devoted to innovation focussing on progress towards a circular economy. ©FPA | Iván Martínez

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  Ellen MacArthur visits the Circular Economy FabLab The Laureate visits a space devoted to innovation focussing on progress towards a circular economy. ©FPA | Iván Martínez

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  Ellen MacArthur visits the Circular Economy FabLab The Laureate visits a space devoted to innovation focussing on progress towards a circular economy. ©FPA | Iván Martínez

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  Ellen MacArthur visits the Circular Economy FabLab The Laureate visits a space devoted to innovation focussing on progress towards a circular economy. ©FPA | Iván Martínez

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  Film: The Swimmers This powerful film, which portrays a true story, follows the journey of two refugee women fleeing the war in Syria. They seek out a new life in Europe and fight to fulfil their dream of being able to compete in the 2016 Rio Olympics. ©FPA | Iván Martínez

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  Film: The Swimmers This powerful film, which portrays a true story, follows the journey of two refugee women fleeing the war in Syria. They seek out a new life in Europe and fight to fulfil their dream of being able to compete in the 2016 Rio Olympics. ©FPA | Iván Martínez

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  “Do Machines Dream of Intelligent Humans?” Yann LeCun and Demis Hassabis present their ground-breaking work and advances in AI to the public. Irene Díaz, head of the Department of Computer Science at the University of Oviedo, acts as chair for the meeting. ©FPA | Iván Martínez

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  “Do Machines Dream of Intelligent Humans?” Yann LeCun and Demis Hassabis present their ground-breaking work and advances in AI to the public. Irene Díaz, head of the Department of Computer Science at the University of Oviedo, acts as chair for the meeting. ©FPA | Iván Martínez

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  “Do Machines Dream of Intelligent Humans?” Yann LeCun and Demis Hassabis present their ground-breaking work and advances in AI to the public. Irene Díaz, head of the Department of Computer Science at the University of Oviedo, acts as chair for the meeting. ©FPA | Iván Martínez

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  “Do Machines Dream of Intelligent Humans?” Yann LeCun and Demis Hassabis present their ground-breaking work and advances in AI to the public. Irene Díaz, head of the Department of Computer Science at the University of Oviedo, acts as chair for the meeting. ©FPA | Iván Martínez

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  “Do Machines Dream of Intelligent Humans?” Yann LeCun and Demis Hassabis present their ground-breaking work and advances in AI to the public. Irene Díaz, head of the Department of Computer Science at the University of Oviedo, acts as chair for the meeting. ©FPA | Iván Martínez

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  “Do Machines Dream of Intelligent Humans?” Yann LeCun and Demis Hassabis present their ground-breaking work and advances in AI to the public. Irene Díaz, head of the Department of Computer Science at the University of Oviedo, acts as chair for the meeting. ©FPA | Iván Martínez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Taking the Floor: “Machines that Think and Learn”, with Yann LeCun and Demis Hassabis A meeting with primary schoolchildren who participated in the “Taking the Floor” cultural programme activity. Via illustrative drawings, the pupils interpreted the underlying concepts of AI, which imitates human thought and its learning processes, as well as its applications in everyday life in techniques such as image and voice recognition, and assistance in medical diagnosis, among others. ©FPA | Yeray Menéndez

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  Film and colloquium. “Adam Michnik. Be realistic, ask for the impossible” A documentary on Adam Michnik. An opposition legend during his political career and founder of the Gazeta Wyborcza newspaper, Michnik was one of those responsible for Poland’s political transformation. ©FPA | Iván Martínez

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  Film and colloquium. “Adam Michnik. Be realistic, ask for the impossible” A documentary on Adam Michnik. An opposition legend during his political career and founder of the Gazeta Wyborcza newspaper, Michnik was one of those responsible for Poland’s political transformation. ©FPA | Iván Martínez

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  Film and colloquium. “Adam Michnik. Be realistic, ask for the impossible” A documentary on Adam Michnik. An opposition legend during his political career and founder of the Gazeta Wyborcza newspaper, Michnik was one of those responsible for Poland’s political transformation. ©FPA | Iván Martínez

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  Film and colloquium. “Adam Michnik. Be realistic, ask for the impossible” A documentary on Adam Michnik. An opposition legend during his political career and founder of the Gazeta Wyborcza newspaper, Michnik was one of those responsible for Poland’s political transformation. ©FPA | Iván Martínez

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  “LAFPABRICA. Awards Factory”: “FabLab Circular Economy”. A space devoted to innovation focussing on progress towards a circular economy promoted by Ellen MacArthur and the foundation that bears her name. Based on the idea of creating systems designed from the start to be sustainable, the space includes information and examples of the creation of new biodegradable materials from waste, the development of bioplastics and the use of Nature as a source of wisdom and inspiration. © FPA | Iván Martínez

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  “LAFPABRICA. Awards Factory”: “FabLab Circular Economy”. A space devoted to innovation focussing on progress towards a circular economy promoted by Ellen MacArthur and the foundation that bears her name. Based on the idea of creating systems designed from the start to be sustainable, the space includes information and examples of the creation of new biodegradable materials from waste, the development of bioplastics and the use of Nature as a source of wisdom and inspiration. © FPA | Iván Martínez

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  “LAFPABRICA. Awards Factory”: “FabLab Circular Economy”. A space devoted to innovation focussing on progress towards a circular economy promoted by Ellen MacArthur and the foundation that bears her name. Based on the idea of creating systems designed from the start to be sustainable, the space includes information and examples of the creation of new biodegradable materials from waste, the development of bioplastics and the use of Nature as a source of wisdom and inspiration. © FPA | Iván Martínez

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  Film: Her. A lonely man undergoing both a personal and professional crisis begins a peculiar relationship with the artificial intelligence of a sophisticated operating system, captivated by the device’s beautiful female voice. ©FPA | Iván Martínez

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  Film: Her. A lonely man undergoing both a personal and professional crisis begins a peculiar relationship with the artificial intelligence of a sophisticated operating system, captivated by the device’s beautiful female voice. ©FPA | Iván Martínez

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  “Proteins”. This space shows some of the applications of artificial intelligence from an artistic and informative point of view. The “Proteins” installation pays tribute to the achievement of AlphaFold, the artificial intelligence program created by DeepMind, the company founded by Demis Hassabis, which has managed to predict the ‘folding’ of the approximate two hundred million proteins known to science. ©FPA | Iván Martínez

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  “Proteins”. This space shows some of the applications of artificial intelligence from an artistic and informative point of view. The “Proteins” installation pays tribute to the achievement of AlphaFold, the artificial intelligence program created by DeepMind, the company founded by Demis Hassabis, which has managed to predict the ‘folding’ of the approximate two hundred million proteins known to science. ©FPA | Iván Martínez

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  “Proteins”. This space shows some of the applications of artificial intelligence from an artistic and informative point of view. The “Proteins” installation pays tribute to the achievement of AlphaFold, the artificial intelligence program created by DeepMind, the company founded by Demis Hassabis, which has managed to predict the ‘folding’ of the approximate two hundred million proteins known to science. ©FPA | Iván Martínez

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  “Proteins”. This space shows some of the applications of artificial intelligence from an artistic and informative point of view. The “Proteins” installation pays tribute to the achievement of AlphaFold, the artificial intelligence program created by DeepMind, the company founded by Demis Hassabis, which has managed to predict the ‘folding’ of the approximate two hundred million proteins known to science. ©FPA | Iván Martínez

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  “Proteins”. This space shows some of the applications of artificial intelligence from an artistic and informative point of view. The “Proteins” installation pays tribute to the achievement of AlphaFold, the artificial intelligence program created by DeepMind, the company founded by Demis Hassabis, which has managed to predict the ‘folding’ of the approximate two hundred million proteins known to science. ©FPA | Iván Martínez

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  “Proteins”. This space shows some of the applications of artificial intelligence from an artistic and informative point of view. The “Proteins” installation pays tribute to the achievement of AlphaFold, the artificial intelligence program created by DeepMind, the company founded by Demis Hassabis, which has managed to predict the ‘folding’ of the approximate two hundred million proteins known to science. ©FPA | Iván Martínez

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  “Proteins”. This space shows some of the applications of artificial intelligence from an artistic and informative point of view. The “Proteins” installation pays tribute to the achievement of AlphaFold, the artificial intelligence program created by DeepMind, the company founded by Demis Hassabis, which has managed to predict the ‘folding’ of the approximate two hundred million proteins known to science. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  Theatre: "La lengua en pedazos" Juan Mayorga´s play that reflects the dialectical and moral battle between Saint Teresa of Jesus and the inquisitor Salazar in the kitchens of the Convent of San José. ©FPA | Iván Martínez

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  “Heartbeats of Freedom. Cycle of Polish films”. Man of Marble. Set in 1976, a young film student in Krakow investigates the life of a worker named Birkut, a proletarian figure from the 1950s. ©FPA | Iván Martínez

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  “Heartbeats of Freedom. Cycle of Polish films”. Man of Marble. Set in 1976, a young film student in Krakow investigates the life of a worker named Birkut, a proletarian figure from the 1950s. ©FPA | Iván Martínez

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  “Heartbeats of Freedom. Cycle of Polish films”. Man of Marble. Set in 1976, a young film student in Krakow investigates the life of a worker named Birkut, a proletarian figure from the 1950s. ©FPA | Iván Martínez

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  “Heartbeats of Freedom. Cycle of Polish films”. Man of Marble. Set in 1976, a young film student in Krakow investigates the life of a worker named Birkut, a proletarian figure from the 1950s. ©FPA | Iván Martínez

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  Film: WALL-E. A wonderful adventure that takes us to a devastated Planet Earth on which a small robot conscientiously carries out cleaning and recycling tasks. ©FPA | Daniel Mora

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  Film: WALL-E. A wonderful adventure that takes us to a devastated Planet Earth on which a small robot conscientiously carries out cleaning and recycling tasks. ©FPA | Daniel Mora

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  Film: WALL-E. A wonderful adventure that takes us to a devastated Planet Earth on which a small robot conscientiously carries out cleaning and recycling tasks. ©FPA | Daniel Mora

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  Film: WALL-E. A wonderful adventure that takes us to a devastated Planet Earth on which a small robot conscientiously carries out cleaning and recycling tasks. ©FPA | Daniel Mora

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  Social activity: “Traditional Olympic Games”. Asturian Olympic athletes lead the Olympic Teams made up of minors, some of whom are refugees residing in Asturias, who compete in a friendly way on a circuit made up of four traditional Asturian games: skittles, la llave, rope tug of war and stick tug of war. ©FPA | Daniel Mora

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  Social activity: “Traditional Olympic Games”. Asturian Olympic athletes lead the Olympic Teams made up of minors, some of whom are refugees residing in Asturias, who compete in a friendly way on a circuit made up of four traditional Asturian games: skittles, la llave, rope tug of war and stick tug of war. ©FPA | Daniel Mora

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  Social activity: “Traditional Olympic Games”. Asturian Olympic athletes lead the Olympic Teams made up of minors, some of whom are refugees residing in Asturias, who compete in a friendly way on a circuit made up of four traditional Asturian games: skittles, la llave, rope tug of war and stick tug of war. ©FPA | Daniel Mora

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  Social activity: “Traditional Olympic Games”. Asturian Olympic athletes lead the Olympic Teams made up of minors, some of whom are refugees residing in Asturias, who compete in a friendly way on a circuit made up of four traditional Asturian games: skittles, la llave, rope tug of war and stick tug of war. ©FPA | Daniel Mora

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  Social activity: “Traditional Olympic Games”. Asturian Olympic athletes lead the Olympic Teams made up of minors, some of whom are refugees residing in Asturias, who compete in a friendly way on a circuit made up of four traditional Asturian games: skittles, la llave, rope tug of war and stick tug of war. ©FPA | Daniel Mora

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  Social activity: “Traditional Olympic Games”. Asturian Olympic athletes lead the Olympic Teams made up of minors, some of whom are refugees residing in Asturias, who compete in a friendly way on a circuit made up of four traditional Asturian games: skittles, la llave, rope tug of war and stick tug of war. ©FPA | Daniel Mora

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  “Biomaterials workshop. FabLab Circular Economy”. Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA |Daniel Mora

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  “Biomaterials workshop. FabLab Circular Economy”. Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA |Daniel Mora

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  “Biomaterials workshop. FabLab Circular Economy”. Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA |Daniel Mora

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  “Biomaterials workshop. FabLab Circular Economy”. Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA |Daniel Mora

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  “Biomaterials workshop. FabLab Circular Economy”. Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA |Daniel Mora

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  “Biomaterials workshop. FabLab Circular Economy”. Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA |Daniel Mora

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  “Biomaterials workshop. FabLab Circular Economy”. Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA |Daniel Mora

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  Concert: “pAIno”. Artificial intelligence is mixed with the live coding (music generated via algorithms) by the artist Iván Paz and the sounds of the analogue piano by César Latorre Latorre to create a sound experience that transcends the definition of a concert and becomes a kind of conversation between different musical languages. The show also features live visuals by Mexican scientist Julia Múgica and illustrator and musician Roger Pibernat. ©FPA | Iván Martínez

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  Concert: “pAIno”. Artificial intelligence is mixed with the live coding (music generated via algorithms) by the artist Iván Paz and the sounds of the analogue piano by César Latorre Latorre to create a sound experience that transcends the definition of a concert and becomes a kind of conversation between different musical languages. The show also features live visuals by Mexican scientist Julia Múgica and illustrator and musician Roger Pibernat. ©FPA | Iván Martínez

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  Concert: “pAIno”. Artificial intelligence is mixed with the live coding (music generated via algorithms) by the artist Iván Paz and the sounds of the analogue piano by César Latorre Latorre to create a sound experience that transcends the definition of a concert and becomes a kind of conversation between different musical languages. The show also features live visuals by Mexican scientist Julia Múgica and illustrator and musician Roger Pibernat. ©FPA | Iván Martínez

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  Concert: “pAIno”. Artificial intelligence is mixed with the live coding (music generated via algorithms) by the artist Iván Paz and the sounds of the analogue piano by César Latorre Latorre to create a sound experience that transcends the definition of a concert and becomes a kind of conversation between different musical languages. The show also features live visuals by Mexican scientist Julia Múgica and illustrator and musician Roger Pibernat. ©FPA | Iván Martínez

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  Concert: “pAIno”. Artificial intelligence is mixed with the live coding (music generated via algorithms) by the artist Iván Paz and the sounds of the analogue piano by César Latorre Latorre to create a sound experience that transcends the definition of a concert and becomes a kind of conversation between different musical languages. The show also features live visuals by Mexican scientist Julia Múgica and illustrator and musician Roger Pibernat. ©FPA | Iván Martínez

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  Teatro para minutos. The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; Concierto fatal de la viuda Kolakowski, La mujer de mi vida, Una carta de Sarajevo, Tres anillos and Quiero ser enjambre. ©FPA | Iván Martínez

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  Teatro para minutos. The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; Concierto fatal de la viuda Kolakowski, La mujer de mi vida, Una carta de Sarajevo, Tres anillos and Quiero ser enjambre. ©FPA | Iván Martínez

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  Teatro para minutos. The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; Concierto fatal de la viuda Kolakowski, La mujer de mi vida, Una carta de Sarajevo, Tres anillos and Quiero ser enjambre. ©FPA | Iván Martínez

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  Teatro para minutos. The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; Concierto fatal de la viuda Kolakowski, La mujer de mi vida, Una carta de Sarajevo, Tres anillos and Quiero ser enjambre. ©FPA | Iván Martínez

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  Teatro para minutos. The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; Concierto fatal de la viuda Kolakowski, La mujer de mi vida, Una carta de Sarajevo, Tres anillos and Quiero ser enjambre. ©FPA | Iván Martínez

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  Teatro para minutos. The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; Concierto fatal de la viuda Kolakowski, La mujer de mi vida, Una carta de Sarajevo, Tres anillos and Quiero ser enjambre. ©FPA | Iván Martínez

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  Theatre: "El chico de la última fila". The theatre company Redrum Teatro stages a performance of one of Juan Mayorga’s most celebrated plays. In the author’s own words, “El chico de la última fila [The Boy in the Last Row] is a play about teachers and pupils; about parents and children; about people who have already seen too much and people who are learning to watch. A play about the pleasure of stealing a look into the lives of others and about the risks of confusing life and literature” ©FPA | Iván Martínez

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  Theatre: "El chico de la última fila". The theatre company Redrum Teatro stages a performance of one of Juan Mayorga’s most celebrated plays. In the author’s own words, “El chico de la última fila [The Boy in the Last Row] is a play about teachers and pupils; about parents and children; about people who have already seen too much and people who are learning to watch. A play about the pleasure of stealing a look into the lives of others and about the risks of confusing life and literature” ©FPA | Iván Martínez

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  Theatre: "El chico de la última fila". The theatre company Redrum Teatro stages a performance of one of Juan Mayorga’s most celebrated plays. In the author’s own words, “El chico de la última fila [The Boy in the Last Row] is a play about teachers and pupils; about parents and children; about people who have already seen too much and people who are learning to watch. A play about the pleasure of stealing a look into the lives of others and about the risks of confusing life and literature” ©FPA | Iván Martínez

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  Theatre: "El chico de la última fila". The theatre company Redrum Teatro stages a performance of one of Juan Mayorga’s most celebrated plays. In the author’s own words, “El chico de la última fila [The Boy in the Last Row] is a play about teachers and pupils; about parents and children; about people who have already seen too much and people who are learning to watch. A play about the pleasure of stealing a look into the lives of others and about the risks of confusing life and literature” ©FPA | Iván Martínez

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  Theatre: "El chico de la última fila". The theatre company Redrum Teatro stages a performance of one of Juan Mayorga’s most celebrated plays. In the author’s own words, “El chico de la última fila [The Boy in the Last Row] is a play about teachers and pupils; about parents and children; about people who have already seen too much and people who are learning to watch. A play about the pleasure of stealing a look into the lives of others and about the risks of confusing life and literature” ©FPA | Iván Martínez

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  Cinema: “Heartbeats of Freedom. Cycle of Polish films”. Endless. General Wojciech Jaruzelski, supreme leader of the Communist Party, governs Poland under martial law in the midst of the Cold War, with Solidarity, the illegal trade union founded in the Gdansk shipyards, being especially subjected to represión ©FPA | Iván Martínez

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  Cinema: “Heartbeats of Freedom. Cycle of Polish films”. Endless. General Wojciech Jaruzelski, supreme leader of the Communist Party, governs Poland under martial law in the midst of the Cold War, with Solidarity, the illegal trade union founded in the Gdansk shipyards, being especially subjected to represión ©FPA | Iván Martínez

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  Workshop: “Shelters, Basic Architectures” A model building workshop for children and families using recycled materials. The most basic architectures are those that serve as protection and shelter. Shigeru Ban’s constructions and his imaginative, sustainable, low-cost solutions for emergency situations is taken as a starting point. ©FPA | Iván Martínez

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  Workshop: “Shelters, Basic Architectures” A model building workshop for children and families using recycled materials. The most basic architectures are those that serve as protection and shelter. Shigeru Ban’s constructions and his imaginative, sustainable, low-cost solutions for emergency situations is taken as a starting point. ©FPA | Iván Martínez

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  Workshop: “Shelters, Basic Architectures” A model building workshop for children and families using recycled materials. The most basic architectures are those that serve as protection and shelter. Shigeru Ban’s constructions and his imaginative, sustainable, low-cost solutions for emergency situations is taken as a starting point. ©FPA | Iván Martínez

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  Workshop: “Shelters, Basic Architectures” A model building workshop for children and families using recycled materials. The most basic architectures are those that serve as protection and shelter. Shigeru Ban’s constructions and his imaginative, sustainable, low-cost solutions for emergency situations is taken as a starting point. ©FPA | Iván Martínez

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  “This is How I Make Packaging Disappear. FabLab Circular Economy” Notpla, the company that manufactures packaging with biomaterials made from seaweed, teaches participants how to face the challenge of making different types of packaging disappear and explains how it is innovating in the creation of biodegradable materials precisely for this use. ©FPA | Iván Martínez

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  “This is How I Make Packaging Disappear. FabLab Circular Economy” Notpla, the company that manufactures packaging with biomaterials made from seaweed, teaches participants how to face the challenge of making different types of packaging disappear and explains how it is innovating in the creation of biodegradable materials precisely for this use. ©FPA | Iván Martínez

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  “This is How I Make Packaging Disappear. FabLab Circular Economy” Notpla, the company that manufactures packaging with biomaterials made from seaweed, teaches participants how to face the challenge of making different types of packaging disappear and explains how it is innovating in the creation of biodegradable materials precisely for this use. ©FPA | Iván Martínez

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  Talk/Workshop: “Flamenco: From Roots to Palos” Flamenco guitarist Emilio Ribera and flamenco singer David Hernández offer a journey through the history and the most representative palos or styles of flamenco, performing some pieces live. ©FPA | Iván Martínez

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  Talk/Workshop: “Flamenco: From Roots to Palos” Flamenco guitarist Emilio Ribera and flamenco singer David Hernández offer a journey through the history and the most representative palos or styles of flamenco, performing some pieces live. ©FPA | Iván Martínez

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  Talk/Workshop: “Flamenco: From Roots to Palos” Flamenco guitarist Emilio Ribera and flamenco singer David Hernández offer a journey through the history and the most representative palos or styles of flamenco, performing some pieces live. ©FPA | Iván Martínez

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  Talk/Workshop: “Flamenco: From Roots to Palos” Flamenco guitarist Emilio Ribera and flamenco singer David Hernández offer a journey through the history and the most representative palos or styles of flamenco, performing some pieces live. ©FPA | Iván Martínez

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  Talk/Workshop: “Flamenco: From Roots to Palos” Flamenco guitarist Emilio Ribera and flamenco singer David Hernández offer a journey through the history and the most representative palos or styles of flamenco, performing some pieces live. ©FPA | Iván Martínez

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  Concert by the Ecoembes Recycling Music Orchestra The Ecoembes Recycling Music Orchestra is a social project that aims to help minors at risk of social exclusion and raise awareness of the need to move towards sustainable development. Conducted by Víctor Gil, a group made up of more than twenty performers plays a repertoire for a family audience. Common instruments in symphony orchestras come together with others built from recycled elements. ©FPA | Iván Martínez

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  Concert by the Ecoembes Recycling Music Orchestra The Ecoembes Recycling Music Orchestra is a social project that aims to help minors at risk of social exclusion and raise awareness of the need to move towards sustainable development. Conducted by Víctor Gil, a group made up of more than twenty performers plays a repertoire for a family audience. Common instruments in symphony orchestras come together with others built from recycled elements. ©FPA | Iván Martínez

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  Concert by the Ecoembes Recycling Music Orchestra The Ecoembes Recycling Music Orchestra is a social project that aims to help minors at risk of social exclusion and raise awareness of the need to move towards sustainable development. Conducted by Víctor Gil, a group made up of more than twenty performers plays a repertoire for a family audience. Common instruments in symphony orchestras come together with others built from recycled elements. ©FPA | Iván Martínez

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  Concert by the Ecoembes Recycling Music Orchestra The Ecoembes Recycling Music Orchestra is a social project that aims to help minors at risk of social exclusion and raise awareness of the need to move towards sustainable development. Conducted by Víctor Gil, a group made up of more than twenty performers plays a repertoire for a family audience. Common instruments in symphony orchestras come together with others built from recycled elements. ©FPA | Iván Martínez

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  Concert by the Ecoembes Recycling Music Orchestra The Ecoembes Recycling Music Orchestra is a social project that aims to help minors at risk of social exclusion and raise awareness of the need to move towards sustainable development. Conducted by Víctor Gil, a group made up of more than twenty performers plays a repertoire for a family audience. Common instruments in symphony orchestras come together with others built from recycled elements. ©FPA | Iván Martínez

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  Concert by the Ecoembes Recycling Music Orchestra The Ecoembes Recycling Music Orchestra is a social project that aims to help minors at risk of social exclusion and raise awareness of the need to move towards sustainable development. Conducted by Víctor Gil, a group made up of more than twenty performers plays a repertoire for a family audience. Common instruments in symphony orchestras come together with others built from recycled elements. ©FPA | Iván Martínez

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  Film: Astro Boy Osamu Tezuka is one of the great names in Japanese manga. He created the character of Astro Boy, a powerful boy-like android, in the early 1950s. Brimming with action and fun, this film adaptation is capable of captivating audiences of all ages. ©FPA | Julián Rus

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  Film: Astro Boy Osamu Tezuka is one of the great names in Japanese manga. He created the character of Astro Boy, a powerful boy-like android, in the early 1950s. Brimming with action and fun, this film adaptation is capable of captivating audiences of all ages. ©FPA | Julián Rus

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  Film: Astro Boy Osamu Tezuka is one of the great names in Japanese manga. He created the character of Astro Boy, a powerful boy-like android, in the early 1950s. Brimming with action and fun, this film adaptation is capable of captivating audiences of all ages. ©FPA | Julián Rus

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  Film: Astro Boy Osamu Tezuka is one of the great names in Japanese manga. He created the character of Astro Boy, a powerful boy-like android, in the early 1950s. Brimming with action and fun, this film adaptation is capable of captivating audiences of all ages. ©FPA | Julián Rus

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  “Biomaterials workshop. FabLab Circular Economy” Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is being imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA | Julián Rus

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  “Biomaterials workshop. FabLab Circular Economy” Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is being imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA | Julián Rus

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  “Biomaterials workshop. FabLab Circular Economy” Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is being imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA | Julián Rus

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  “Biomaterials workshop. FabLab Circular Economy” Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is being imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA | Julián Rus

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  “Biomaterials workshop. FabLab Circular Economy” Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is being imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA | Julián Rus

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  “Biomaterials workshop. FabLab Circular Economy” Participants learn the general concepts and fundamentals of how bioplastic is prepared in a practical way, giving organic waste products a second life as possible substitutes for plastic in industrial manufacturing processes. The workshop is being imparted by Laboratorio Biomimético, which investigates the design of sustainable materials through the observation of natural processes. ©FPA | Julián Rus

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  "Teatro para minutos" The performance of a selection of short plays written by Juan Mayorga, from his book entitled Teatro para minutos [Theatre for a Few Minutes]; "BRGS", "La mano izquierda", "Método Le Brun para la felicidad", "Entre los árboles" and "Herencia". ©FPA | Daniel Mora

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  Cinema: “Heartbeats of Freedom. Cycle of Polish films”. Cold War Set against the backdrop of the Cold War, this Polish film presents a passionate love story between two people of different origins and incompatible temperaments. ©FPA | Daniel Mora

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  Cinema: “Heartbeats of Freedom. Cycle of Polish films”. Cold War Set against the backdrop of the Cold War, this Polish film presents a passionate love story between two people of different origins and incompatible temperaments. ©FPA | Daniel Mora

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  Cinema: “Heartbeats of Freedom. Cycle of Polish films”. Cold War Set against the backdrop of the Cold War, this Polish film presents a passionate love story between two people of different origins and incompatible temperaments. ©FPA | Daniel Mora

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  Cinema: “Heartbeats of Freedom. Cycle of Polish films”. Cold War Set against the backdrop of the Cold War, this Polish film presents a passionate love story between two people of different origins and incompatible temperaments. ©FPA | Daniel Mora

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  Cinema: “Heartbeats of Freedom. Cycle of Polish films”. Cold War Set against the backdrop of the Cold War, this Polish film presents a passionate love story between two people of different origins and incompatible temperaments. ©FPA | Daniel Mora

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  Theatrical performance and concert: Concierto fatal de la viuda Kolakowski The performance of Concierto fatal de la viuda Kolakowski, one of the short plays included in the book Teatro para minutos (Theatre for Minutes) by Juan Mayorga, serves as a prologue to the concert of the Princess of Asturias Foundation Choir. ©FPA | Iván Martínez

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  Theatrical performance and concert: Concierto fatal de la viuda Kolakowski The performance of Concierto fatal de la viuda Kolakowski, one of the short plays included in the book Teatro para minutos (Theatre for Minutes) by Juan Mayorga, serves as a prologue to the concert of the Princess of Asturias Foundation Choir. ©FPA | Iván Martínez

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  Theatrical performance and concert: Concierto fatal de la viuda Kolakowski The performance of Concierto fatal de la viuda Kolakowski, one of the short plays included in the book Teatro para minutos (Theatre for Minutes) by Juan Mayorga, serves as a prologue to the concert of the Princess of Asturias Foundation Choir. ©FPA | Iván Martínez

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  Theatrical performance and concert: Concierto fatal de la viuda Kolakowski The performance of Concierto fatal de la viuda Kolakowski, one of the short plays included in the book Teatro para minutos (Theatre for Minutes) by Juan Mayorga, serves as a prologue to the concert of the Princess of Asturias Foundation Choir. ©FPA | Iván Martínez

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  Theatrical performance and concert: Concierto fatal de la viuda Kolakowski The performance of Concierto fatal de la viuda Kolakowski, one of the short plays included in the book Teatro para minutos (Theatre for Minutes) by Juan Mayorga, serves as a prologue to the concert of the Princess of Asturias Foundation Choir. ©FPA | Iván Martínez

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  Theatrical performance and concert: Concierto fatal de la viuda Kolakowski The performance of Concierto fatal de la viuda Kolakowski, one of the short plays included in the book Teatro para minutos (Theatre for Minutes) by Juan Mayorga, serves as a prologue to the concert of the Princess of Asturias Foundation Choir. ©FPA | Iván Martínez

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  Theatrical performance and concert: Concierto fatal de la viuda Kolakowski The performance of Concierto fatal de la viuda Kolakowski, one of the short plays included in the book Teatro para minutos (Theatre for Minutes) by Juan Mayorga, serves as a prologue to the concert of the Princess of Asturias Foundation Choir. ©FPA | Iván Martínez

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  Concert: “Freestyle with the algorithm". Some of the best rappers on the international scene take the stage to participate in an improvisation battle against a computer via different applications that employ artificial intelligence. ©FPA | Iván Martínez

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  Concert: “Freestyle with the algorithm". Some of the best rappers on the international scene take the stage to participate in an improvisation battle against a computer via different applications that employ artificial intelligence. ©FPA | Iván Martínez

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  Concert: “Freestyle with the algorithm". Some of the best rappers on the international scene take the stage to participate in an improvisation battle against a computer via different applications that employ artificial intelligence. ©FPA | Iván Martínez

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  Concert: “Freestyle with the algorithm". Some of the best rappers on the international scene take the stage to participate in an improvisation battle against a computer via different applications that employ artificial intelligence. ©FPA | Iván Martínez

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  Concert: “Freestyle with the algorithm". Some of the best rappers on the international scene take the stage to participate in an improvisation battle against a computer via different applications that employ artificial intelligence. ©FPA | Iván Martínez

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  Concert: “Freestyle with the algorithm". Some of the best rappers on the international scene take the stage to participate in an improvisation battle against a computer via different applications that employ artificial intelligence. ©FPA | Iván Martínez

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  Concert: “Freestyle with the algorithm". Some of the best rappers on the international scene take the stage to participate in an improvisation battle against a computer via different applications that employ artificial intelligence. ©FPA | Iván Martínez

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